Musik ini mulai masuk ke Indonesia tepatnya di Malaka. Walaupun masa jaya Portugis mulai melemah di Indonesia, musik ini tidak lantas hilang begitu saja. Para budak di Maluku kala itu mulai menyerap musik tersebut dan memainkannya di daerah mereka.
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Salah satu rekan terdekat mengatakan bahwa musik Keroncong adalah musik daerah yang tentu saja mewakili hanya sebagian daerah saja, dan hal tersebut yang membuat tidak semua rakyat Indonesia tidak tahu dan ‘mungkin’ tidak perlu tahu apa itu musik Keroncong.
Akar dari Keroncong ternyata sudah mulai masuk ke Indonesia pada abad ke-16. Musik ini dibawa oleh para pelaut dan budak kapal dari Portugis. Musik seperti ini pada awalnya dikenal dengan nama Fado, di mana namanya itu sendiri merupakan nama bawaan dari Portugis.
the facility of monetary capital, the superiority of technological know-how, plus the sophistication of promoting ground down regular music. This paper tries to analyze the “keroncong” music in Indonesia which can nonetheless be managed or popularized through a variety of strategies and by generating a correct media of advertising for example as a result of television and radio to ensure society are common to “keroncong” music.
Sampai saat ini, musik Keroncong masih terus diperjuangkan oleh beberapa musisi agar eksistensinya tidak kalah tertimpa oleh jenis-jenis musik lainnya.
exactly the same exertion was carried out by Didi Kempot and Koko Thole who may have supplied new colour to “keroncong” music. They made efforts to unfold “keroncong” music to a get more info wide range of Modern society as well as produce the music alone.
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music, like a treasure of Indonesian nationwide music, continues to be experiencing a lengthy phase Considering that the arrival of your Moorish as Portuguese slaves to Indonesia from the sixteenth century. In the extended period of time, the “keroncong” music then, as other kinds of standard music, needs to facial area industry music, Particularly Western music.
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hence, “keroncong” artists need to make innovations or improvements which can appeal to people today’s interest to “keroncong” music. They should build tune lyrics that reflec the life of Modern society or get themes that is in accordance to their period of time.
Pada masa itu, para pegiat musik Fado harus menyanyikan lagu-lagu mereka di dalam Gereja Protestan dan secara tidak langsung nada yang biasa mereka gunakan pun berubah menjadi mayor.
Akar dari Keroncong ternyata sudah masuk ke Indonesia abad ke-sixteen dan dibawa oleh para pelaut dan budak kapal dari Portugis.
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